Once upon a time, when names like -
Mani Ratnam Shriram Raghvan Shekhar Kapoor
Deepa Mehta Sanjay Leela Bhansali
Ashutosh Gowarikar Anuraag Kashyap Ram Gopal Verma
were in the process of achieving visibility. One man, with a vision of his own and mathematics of uncommon sense; decided to give those names, their due visibility.
And then ... the celluloid said -
And then ... the celluloid said -
JHAMU SUGHAND
--------------------------------------------
PRESENTS
...i narrate in lower case!!!...
As if Archimedes had foreseen his eureka moment. Jhamu seemed to have wanted to change the psyche of film makers and audiences altogether, that too very fast.
As if some multi millionaire gave them blank cheques to Picasso, Michael Angelo, Vinci... and employed them all, one by one to create whatever they felt like.
Result - firework all around.
Johnny Gaddaar ( 2007)
initially financed and produced by Jhamu Sugandh was later produced under
the banner Adlabs, since Jhamu ran into financial crunch. The film
received critical acclaim. went on to be 'sleeper hit' of the year..
Black Friday (2004) was financed by Jhamu to help Kashyap,
despite controversies involved. It was based on 1993 Bombay
bombings by anti national cowards. The film won the Grand Jury Prize
at the Indian Film Festival of Los Angeles and was a nominee for the
Best Film (Golden Leopard) award at the Locarno International Film
Festival.
Jhamu
Sugandh further helped Anurag Kashyap to release his another stuck film 'Gulal'
Astitva (2000)
produced by Jhamu Sughand, went on to win 48th National Film Award for
Best Film in Marathi.
Hum Dil De Chuke Sanam (1999) jointly produced by Jhamu
Sughand, was filmed throughout the Gujarat-Rajasthan, in addition to Budapest, Hungary. The
film was a hit at the Indian box office. It received nine Filmfare
Awards nominations and produced some winners as well.
Satya
was still to happen, when Jhamu financed his films and produced
Rangeela and Daud. This was instrumental in the success of Ram Gopal Varma.
Rangeela (1995)
produced by Jhamu, the film received critical acclaim and seven film
fare that year. Urmila Matondkar became an overnight sensation. Designer
Manish Malhotra also received instant fame. Rangeela also proved to be a
turning point for Aamir's career.
Bombay (1995)
presented by Jhamu; was a critically acclaimed and national award-winning film. The film became one of the highest grossing films, well
received both critically and commercially. Eventually it was also screened at
many international film festivals.
Controversies!! Of course! very well attached.
I have well recorded the hyped screening amidst chaos in single
screen Anand Cinema at majestic Qaiserbagh Square in Lucknow. The lathi
charge followed the protest juloos. I saved myself by ‘Shuoon’
of one lathi in a nick of time. Although, the shirt got torn on that fateful day.
Bandit Queen (1994)
jointly produced by Jhamu Sughand, took Shekhar Kapoor to international stage,
besides winning several National as well as Filmfare awards.
Somehow, I hardly notice any mention of Jhamu Sughand, of his contributions in official accounts of these works.
Jhamu had also invested in lot of Bengali films, he believed in.
Jhamu had also invested in lot of Bengali films, he believed in.
There's
no evidence which implies him, as a cinema expert. But the facts upon which
this account is based, certainly establishes Jhamu Sugandh, to be a film
connoisseur. A man with a mysterious sense of righteousness of the projects, he
invested in.
The
dark complexioned, humble printing press owner; who never changed his two BHK
flat, or his car, even in the peak of his film production years; commanded his
share of authority, mainly because of his honest intentions conveyed in more
simpler ways.
Rehman
was roped in for Jane tu ya
jane na, by Jhamu, on request
of Abbas Tyrewala. Rehman did it on one single phone call, only because of a
man he held in highest regards, Jhamu Sughand.
Amir
Khan took over as producer of the film later.
Amir
khan himself was roped in for 1947 Earth, on Deepa Mehta's requirement by
Jhamu. Amir had earlier rejected Deepa's offer, citing date trouble.
How
is it, that nobody credits Jhamu, for getting done with films like WATER and 1947
EARTH?? Even after investing
in those controversy ridden films, except for verbal notes of thanks??? Why is it like that??
May
be because Deepa Mehta did not want to!!
This
is further substantiated by accounts of dissatisfaction published by A R Rehman, who gave music to her
film and Anurag kashyap, who wrote for her.
May
be, Mr. Jhamu Sughand, a shy gentlemen, was USED...EXPLOITED...like a common
newcomer.
So what!!
But not on a single occasion.
And adding to it, another of his mega ventures went disaster upon box office.
So what!!
But not on a single occasion.
And adding to it, another of his mega ventures went disaster upon box office.
Right
when Jhamu planned his comeback, with his calculated positive investments in
Bengali ventures, he was duped again, bigtime, by one of his partners who
disappeared with his left over assets, credits and most importantly faith.
Probably,
Jhamu's vision for his EUREKA moment had started fading. Happens!!
Jhamu handheld many more names than Sree Ram Raghvan, Abbas Tyrewala, Anurag
Kashyap ... even Deepa Mehta's name can be added to the list.
Anurag
kashyap, himself admits,"...none of us (in film industry) could give him back, what we
got from him..."
Jhamu
said " I invest in people."...!!! That was a matter of choice. No comments on
the choice of investment.
May
be his calculations are still being scanned by some Einstein somewhere. But at
least he took the luxury of investing and living, in the way he wanted to.
And
certainly it was Grandest Humbleness to invest and live that way.
To,
Mr. Jhamu Sugandh,
Mr. Jhamu Sugandh,
This
account is written to convey to the environment (of which you are a part); that
your works have been well noted.
That
all your instincts were not wrong. That your vision and investments gave us
marvelous several products like Rangeela, in the year bull dozed by
another good product DDLJ.
That
your input made difference and is highly visible now... by the possibility of
works like DEV D, RDB, BLACK, Shekhar Kapoor's hollywood ventures... irrespective
that you were not a direct party to
them.
That
your contribution stands as tall & remarkable as YRF's (say in 1995) or
any other Filmmaker and showmen of industry, at any given time.
To
repeat '..as
tall & remarkable as the biggest filmmakers and showmen of
industry...'
Well !!!.. you presented Quality.. Mr. Jhamu Sughand.!!
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PS 1: Jhamu Sugandh, was an advisor to Amitabh Bachchan, in his film company ABCL corps.
PS 2: Among others Jhamu Sugandh patronized Meghna Gulzar for Filhaal, Budhdhadeb Dasgupta for KaalPurush, and worked with Kamal Hasan for Chachi 420.
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